Date: October 27, 2009, 7–9 pm
Location: Cabinet, 300 Nevins Street, Brooklyn, NY
FREE; no RSVP necessary
Listen to an audio recording of this program, or download the file by right-clicking here and selecting "Save link as..."
Naeem Mohaiemen will be discussing his project "My Mobile Weighs a
Ton," a series of mobile phone photos images taken in aftermath of the
August 2008 anti-army riots that exploded on university campuses in
Bangladesh.
ABOUT THE ARTIST
Working between two countries, Mohaiemen sometimes explores the
contradictions between Bengalis in marginal migrant status, and
majoritarian (and authoritarian) roles in their own country. He writes
on Bangladesh's religious and ethnic minorities for the Ain Salish
Kendra Annual Human Rights Report (askbd.org), and on activist blogs
(unheardvoice.net/blog). As part of this work, he made the documentary
"Muslims or Heretics: My Camera Can Lie" about the problem of multiple
audiences. His essays include "Islamic Roots of Hip-Hop" (Sound
Unbound, MIT Press); "Beirut: Illusion of a Silver Porsche" (Men of the
Global South, Zed Books); "Why Mahmud Can't be a Pilot" (Nobody Passes,
Seal Press); "Adman Blues Become Artist Liberation" (Indian Highway,
Serpentine Gallery); "Everybody Wants To Be Singapore" (La Buena Vida,
Carlos Motta, ICA); and the book “Collectives in Atomised Time” (with
Doug Ashford, Idensitat, Spain). Mohaiemen's exhibition at CUE marks
his first solo show in New York.
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