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Issue 40 Hair Winter 2010/11
Table of Contents
Columns
- Colors / Gold
Michael Bracewell
Pop’s magic suit - Ingestion / Dialectics of the Shmoo
Yara Flores
The Eucharist of utopia - Inventory / Blind Sight
Christopher Turner
The secret signs of the cataract surgeon - Legend / Restraint
Wayne Koestenbaum
Muscular arms, wristwatch, moustache
- From Disc to Sphere
Volker M. Welter
Taking on the whole earth - The Cinematic Spasm
Aaron Schuster
Lights, camera, achoo! - How to Make Anything Signify Anything
William H. Sherman
William F. Friedman and birth of modern cryptanalysis - Facing the Unknown
D. Graham Burnett
History, art, loss, recovery - Dairy Cases
Meredith Martin
The milk cure in eighteenth-century France - Tragic Candy, Time
Carol Mavor
Eating Minou Drouet - Artist Projects / Ten
Jane South, Ester Partegàs, Janine Antoni, Rachel Harrison, Francis Cape, Moyra Davey, Sabrina Gschwandtner, Alexandre Singh, Virgil Marti, and Vik Muniz
- Pattern Baldness
Justin E. H. Smith
A trichotillomanic impulse - Artist Project / Liquor, Hair
Julia Jacquette - Of Mice and Mania
Laurel Braitman
The trichotillomaniac impulse - A Close Shave with Death
Mats Bigert
The double electrocution of Willie Francis - Acomocliticism
Blake Gopnik
Aesthetics along the bikini line - Artist Project / The Dreamtime
So Yoon Lym - Cutting Remarks
Mia Farrow’s troublesome haircut - Matters of the Head
Emma Markiewicz
Hair and wigs in eighteenth-century England - On the Directionality of Hair
Spyros Papapetros
Streams on the cosmic body - Barbers and Barbarians
Jorian Polis Schutz
Episodes in the history of Argentine hair - Split Hairs
Christopher Turner
The art of Alfie West
- Postcard / Curlers
- Bookmark / Learn Your Stripes
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