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Issue 28 Bones Winter 2007/08
Table of Contents
Columns
- Colors / Mauve
Shelley Jackson
Disappointment and opportunity - A Minor History Of / Odd Sympathy
Joshua Foer
All together now - Ingestion / More Shoes! More Boots! More Garlic!
Jeffrey Kastner
Werner Herzog’s gastronomic bet - Inventory / Wanted and Unwanted at the Zoo
Clem Blakemore
I’ll trade you a freckled duck for a spiny terrapin
- Haunted Mazes
Joe Milutis
Inside the labyrinth - Artist Project / Tree Drawings
Tim Knowles - The Onion
Implicasphere
Peeling back the layers - Cyanea Arctica
Louis Agassiz
Not unlike jelly - Organized Water
Richard Sieburth
On Agassiz's flowing prose - On Being the Right Size
J. B. S. Haldane
The scale of nature - Tatlin, or, Ruinophilia
Svetlana Boym
The avant-garde and the off-modern
- The Museum of the Dead
Robert Harbison
Monochrome macabre - Sacred Bones
Mark C. Taylor
What remains - Like a Hole in the Head
Christopher Turner
The trepanation-state - The Anti-narcissistic Origins of Art
Svetlana Boym
Athena and the music of bones - The Fate of His Bones
Colin Dickey
Sir Thomas Browne and the craniokleptic impulse - Bone Play
Eva Åhrén and Michael Sappol
The anatomist’s games - Congenital Human Baculum Deficiency
Scott F. Gilbert and Ziony Zevit
The generative bone of Genesis 2:21–23 - A Buried History of Paleontology
Brian Selznick and David Serlin
The remains of Waterhouse Hawkins - Cutting the World at Its Joints: An Interview with D. Graham Burnett
Sina Najafi and D. Graham Burnett
Comparative anatomy on trial - Artist Project / Character Study
Michael Paulus - Unnatural Selection: An Interview with the National Fish and Wildlife Forensics Laboratory
Colby Chamberlain
Crime and punishment in the animal kingdom - Marking Time
Daniel Rosenberg
Alexander Marshack and ossified time - Os Innominatum
Thomas Zummer
The self between the skin
- Postcard / Bone-Setting Mannequin
- Bookmark / Bone Tower
Eugene von Bruenchenhein
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© 2008 Cabinet Magazine