Columns
- Inventory / My Rock Is a Purse
Susan Greenspan
Geological fallacies
- Ingestion / The X Factor
D. Graham Burnett
Professor Pettenkofer’s miasmatic gamble
- Colors / Porphyry
Catherine Hansen
Blood from a stone
- Leftovers / Dinner with Kant
Christopher Turner
The taste of disgust
Main
- Head Trips
Jordan Bear and Albert Narath
The social inversions of the comic foreground
- Artist Project / The Grey Unknown
Justin Storms
- The Gothenburg Leviathan
Cecilia Grönberg and Jonas J. Magnusson
Into the belly of the Malm Whale
- Rain and Rainfall—Great Britain—Periodicity—Periodicals
Edward Eigen
The quest for a “perfect patterne”
- A Case of Erotic Engineering
Thomas A. P. van Leeuwen
Looking for Gustave Eiffel in the lingerie department
- Let’s Make a Deal
Herant Katchadourian
The protocols of haggling
Deception
- The Crucial Moment of Deception
Hanna Rose Shell
Abbott Handerson Thayer’s law of protective coloration
- Mark of Integrity
Jonathan Allen
A brief history of card tricks
- The Golden Lasso
Ken Alder
Wonder Woman and the birth of the lie detector
- Deception as a Way of Knowing: A Conversation with Anthony Grafton
D. Graham Burnett and Anthony Grafton
The cops and robbers of history
- Artist Project / Meanwhile in Nigeria…
Julieta Aranda
- Brotherly Deception
Jeffrey Croteau
The Album of Masonic Impostors
- Slettemark / Nixon
Mats Bigert
I’m not a crook, I’m an artist
- The Fall and Rise of Ernest Lalor Malley
Christine Wertheim
The poet who wasn’t
- Artist Project / All Work and No Play
Adam Broomberg & Oliver Chanarin
- The Perfect Crime
Brian Dillon
An open letter to the editors of frieze magazine
- In the Orchards of Nostalgia
George Makari
Hiding in plain sight
And
- Bookmark / BOOK MARK
Like we said
- Postcard / School of Crock
James Hogue’s Ivy League con
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